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现代文学批评史写作始于20世纪80年代,这是正统文学史观自身的修复期和瓦解期。王永生主编的现代文学批评史表现出这样的基本特征,一方面要维护正统文学史观蕴含的历史总体性,另一方面试图修复它的学科性。作为新一代的学人,温儒敏悬置现代文学批评史的总体判断,而刘锋杰则坚持八十年代的启蒙主义和审美主义,他重申现代文学的未完成性,这是对总体性问题的重置。到了新世纪,在“复数现代性”的语境中,旷新年和余虹按照不同的路径重述现代文学理论史,旷以新左派的理论来激活左翼文学理论的反抗活力,而余虹则试图在新的知识条件下拯救出文学对历史发言的能力。
The writing of modern literary criticism began in the 1980s, which is the period of restoration and disintegration of orthodox literary history itself. The history of modern literary criticism, edited by Wang Yongsheng, shows such basic characteristics as maintaining the historical totality contained in the orthodox literary history concept and, on the other hand, trying to repair its discipline. As a new generation of scholars, Wen Rumin suspended the general judgment of the history of modern literary criticism, while Liu Fengjie insisted on the enlightenment and aestheticism of the 1980s. He reiterated the incompleteness of modern literature, which is the reset of the general problem . In the new century, in the context of “plural modernity ”, Kuangxin New Year and Yu Hong restate the history of modern literary theory according to different paths, activate the revolt vigor of left-wing literary theory with the theory of the new left and Yu Hong tried to save the ability of literature to speak on history under the condition of new knowledge.