论文部分内容阅读
在影片题材多样化方面,我们电影工作者已经有过不少议论。现代题材是我们电影创作的第一主题,但是勿庸置疑,历史题材也永远是电影创作的一个方面。如果能很好地用历史唯物主义观点来处理历史题材,我们就会出现大批丰富多彩的影片,人民的需要能得到更多的满足。为了借鉴,我们在这里介绍了一组苏联历史片创作经验的文章。 《关于历史片的几个问题》一文,根据苏联电影大学苏联电影史研究室收藏的报告记录译出,是苏联杰出电影导演和电影理论家爱森斯坦于1940年1月8日召开的苏联历史片创作会议上所做的主要报告。他根据苏联和西方摄制历史片的经验,并结合自己拍摄历史片的切身体会,阐述了摄制历史片的一系列理论和技巧问题。他着重指出,历史片不仅要以历史人物的崇高精神和光辉业绩去鼓舞和教育人民,而且“历史片正是对摄制现代题材影片具有重大作用”,特别是在帮助艺术家塑造出“经过高度历史概括的现代人形象”方面。爱森斯坦的《亚历山大·涅夫斯基》(1938)是苏联历史片中经典性的作品。在本文中,作者以该片为例,总结了自己处理战争场面的经验。 《从历史小说<彼得大帝>到同名影片》及《普多夫金的影片<苏沃洛夫大元帅>》两文均根据《苏联电影史纲》第二卷(苏联艺术 出版社1959年版)译出。作者是C·弗雷里
We have had quite a lot of talk about movie project diversification. Modern theme is the first theme of our movie creation, but there is no doubt that the theme of history is always an aspect of movie creation. If we can properly handle the historical themes from the perspective of historical materialism, we will have a great variety of films and films, and people’s needs will be more satisfied. For reference, here we introduce a series of articles on the history of Soviet history. A few articles on the history film were translated according to the report of the collection of Soviet Cinemas in the Soviet Cinematheque and were collected by Soviet film director and movie theorist Eisenstein on January 8, 1940 in the history of the Soviet Union Film creation conference made the main report. Based on the experience of the Soviet Union and the West in the production of historical films and his personal experience of filming of historical films, he elaborated on a series of theoretical and technical issues in the production of historical films. He emphasized that historical films should not only inspire and educate the people with the lofty splendor and glorious achievements of historical figures, but also “history films play a significant role in filming modern theme films,” especially in helping artists create a “highly historical Summarized modern image ”aspect. Eisenstein’s “Alexander Nevsky” (1938) is a classic piece of Soviet history. In this article, the author takes the film as an example, summing up his own experience of handling war scenes. “From the historical novel” Peter the Great “to the film of the same name” and “Pudovkin’s film ” Both texts are based on the second volume of the “history of the Soviet film” (Soviet art press 1959 edition) Translate The author is C. Frey