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如同生活中的人一样,盆景都应有个性,或潇洒、或飘逸、或险峻、或端庄、或繁茂、或秀丽……。盆景制作者面对一棵棵素材或盆景,首要任务是找出它们的个性(或特点、长处等),抓住了它,就抓住了根本,我们在欣赏及制作盆景中才能大处着眼,从一切繁文缛节挣脱出来;有了它,我们才知道如何去舍剪裁,强化什么,遮蔽什么,向哪个方向发展。因为任何一盆盆景都有好几个发展方向,其中必有一个最合理方向。找出这个基本点是非常艰苦的工作,它要倾注作者的全部心智和修养,它也是作者艺术功力的具体表现。有些盆景,制作非常完美,一枝一片无可挑剔,配盆选架格外考究,但整个盆景缺少震撼人心的力量。有些桩头,堪称绝品,但给人的印象是作者有运气碰
Like people in life, bonsai should be individual, or elegant, or elegant, or steep, or dignified, or lush, or beautiful ... .... Bonsai makers face a single piece of material or bonsai, the first task is to find out their personality (or features, strengths, etc.), to seize it, we seize the fundamental, we appreciate and make a big point in the bonsai focus , Get rid of all the red tape; with it, we know how to cut, what to strengthen, what to hide, in which direction to develop. Because there are several pots in any direction of development, of which there must be the most reasonable direction. To find out this basic point is a very hard task. It is to devote all the author’s mental and spiritual accomplishments. It is also a concrete manifestation of the author’s artistic skill. Some bonsai, the production is perfect, a piece impeccable, with extraordinarily elegant selection of pots, but the lack of stirring the bonsai force. Some pile, called unrivaled, but gives the impression that the author has luck touching