论文部分内容阅读
汉剧历史悠久,有上千出的传統剧目,分工严謹的十大行表演艺术和高亢激昂而优美的唱腔,流传在湖北以及湖南、广东、四川、陝西、河南等地。汉剧的蓬勃發展,是和历代的表演艺术家辛勤創造分不开的。复兴班时期的任天全(末)、区天中(丑)、尹太平(杂)、郑万年(净)、賽黃陂(旦)以及后来的余洪元、朱洪寿、大和尚、牡丹花、李彩云、陈旺喜、小天惠、小翠喜等十六名角,对汉剧十大行的唱工、念白和表演作出了卓越的貢献。解放前汉剧受尽了帝国主义和反动統治者的蹂躪迫害,日就衰微,后繼无人。解放后,党和政府采取各項措施,發展戏曲艺术,現在湖北省举办了汉剧演員进修班,其目的就是为了搶救和繼承汉剧表演艺术。进修班聘請了一末魏平原、余春衡;二净吳楚臣;三生吳天保;四旦刘
Han drama has a long history, there are thousands of traditional repertoire, the ten lines of rigorous division of performing arts and high-pitched passionate and beautiful singing, circulated in Hubei and Hunan, Guangdong, Sichuan, Shaanxi, Henan and other places. The flourishing development of Han drama is inseparable from the hard-working creative artists of all ages. During the period of the Renaissance class, Renmin Quan (the end), Tianzhong (ugly), Yin Taiping (miscellaneous), Zheng Wannian (net), Sai Huangpi (once) and later Yu Hongyuan, Zhu Hongshou, Monk, Peony, Li Caiyun and Chen Wangxi Tian Hui, Kotori Tsui and other 16 horns, the Chinese opera ten lines singing, read and performance made outstanding contributions. Before the liberation of the Han Dynasty suffered from the devastation and persecution of the imperialists and the reactionary rulers, Japan declined, followed by no one. After the liberation, the party and the government took various measures to develop the art of opera. Now Hubei Province has held a series of training courses for Chinese performers, whose purpose is to rescue and inherit the performing arts of the Han Dynasty. Training classes hired a Wei Weiyuan, Yu Chunheng; II net Wu Chuchen; Sister Wu Tianbao; four Dan Liu