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2015年3月,大都美术馆迎春展“微观——馆藏部分早期作品陈列展”在京展出。展览所选的作品是该馆馆藏的部分20世纪早期留学生以及在民国时期接受国内艺术教育成长起来的油画家的作品29幅,时间跨度从清末到20世纪中期。这些作品虽然尺幅不大,但依然能够显现出中国早期艺术家对油画造型观念与空间色彩较为深入的理解与掌握,能够体现他们在运用油彩过程中加入的许多没有被完全转换成西方造型观念与空间色彩的东方元素,体现了当时那个时代的生活状态。通过此展览,从油画本体语言上说,也能够感受到留学欧洲、日本、苏联和在国内接受新式教育的油画家们在对油画艺术
March 2015, Most Art Museum Spring Festival Exhibition “Micro-Collection Some Early Works Exhibition Exhibition ” was exhibited in Beijing. Selected works of the exhibition are part of the Museum collection of some early 20th century students and the Republic of China received the rise of domestic art education painter works 29, spanning from the late Qing Dynasty to the mid-20th century. Although these works are not large in scale, they can still reveal the early Chinese artists’ understanding and mastery of the concept of oil painting and the color of space in depth. They can reflect the fact that many of the artists who participated in the application of oil painting have not been fully converted into western style concepts and Oriental color space elements, reflecting the time of the state of life. Through this exhibition, from the ontology language of painting, we can also feel that oil painters studying in Europe, Japan, the Soviet Union and receiving new-style education in China