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我们的眼睛已经习惯于照相机和电视的视觉效果和观看方式,因此对西方古典油画表现出来的逼真空间感已经不会感到惊讶了。然而,正如贡布里希提到的那样,当乔托、马萨乔时代的人初次见到壁画上那种似乎可以走进去的幻觉空间时,一定会像我们第一次在电影院中观看3D电影一样留下深刻印象。只有这样,我们才能理解文艺复兴初期的艺术家对透视这种新的空间表现方式的痴迷。透视和明暗使西方绘画表现视觉真实的能力大大增强,也拉开了文
It is not surprising that our eyes are accustomed to the visual effects and viewing methods of cameras and televisions, and therefore the realistic sense of space exhibited by Western classical paintings. However, as Gombrich mentioned, when Giotto, Masaccio, first saw the fantastic space on the murals that seemed to be able to walk in, it would have been like the first time we saw 3D in the cinema Like the movie impressed. Only in this way can we understand the obsession with the artist of the early Renaissance of this new spatial representation of perspective. The ability to see and visualize western painting through perspective and light and shadow has been greatly enhanced and the text has also been opened