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19世纪末,画家莫奈、德加、毕沙罗等创设了一门技艺,这种技艺提供了一种观察外部世界的特殊方法。他们把自己的天赋同象征主义诗人魏尔伦、波特莱尔等的思想结合起来,创造了一派具有不同价值观的艺术。在这种艺术里,感觉取代了激情。由此而产生的印象主义(Impressionsm)流派用模糊的景色替代了生硬的线条,描绘出光与色彩永恒变化的效果。在同时期的音乐中,法国作曲家德彪西创造了一系列新的音响,很快就被公众贴上“印象主义”的标签。
At the end of the nineteenth century, painters Monet, Degas, Pissarro and others created a craft that provided a special way of looking at the outside world. They combined their own gifts with the ideas of the symbolist poets Verlaine Porter and others to create a school of art with different values. In this art, feeling replaced passion. The resulting Impressionsm genre replaced blunt lines with vague sceneries, characterizing the eternal change of light and color. In the same period of music, the French composer Debussy created a series of new audio, quickly by the public labeled “Impressionism” label.