论文部分内容阅读
充满活力、节奏鲜明而富于律动的主题,好象响亮有力的号召,从钢琴家的手指下,传送到了音乐厅的每个角落。观众被这具有强烈感染力的音乐紧紧抓住;大厅中虽座无虚席,这时却静寂无声。台上台下,演奏家和听众,共同进入了音乐创造的忘我和喜悦。这是美国钢琴家的约瑟夫·班诺维茨10月15日在李斯特音乐节的独奏会上演奏勃拉姆斯的《f小调第三奏鸣曲》时的情景。对于沈阳的听众来说,约瑟夫·班诺维茨这个名字并不陌生。自从1984年初第一次到沈阳音乐学院讲学演奏以来,他曾于1985年、1986年多次在沈阳举行独奏音乐会和参加协奏曲演奏。然而阔别五年后的今天,当我们在李斯特
The energetic, rhythmic and rhythmic theme, as if loud and powerful, is transmitted from the pianist’s finger to every corner of the concert hall. The audience was grasped by this intensely contagious music; though it was empty in the hall, it was silent. Stage audience, performers and listeners, together into the music to create self-forgetfulness and joy. This is the scene played by American pianist Joseph Bannowicz on Brahms’ Third Sonata of F Subtitled on the solo recital at the Liszt Festival on October 15th. For the audience in Shenyang, Joseph Bannowicz is no stranger to this name. Since his first solo lectures at Shenyang Conservatory of Music in early 1984, he has performed solo concerts and concert concerts in Shenyang in 1985 and 1986. However, after five years from now, when we are in Liszt