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1990年代以来,启蒙主义让位于全球化和消费主义浪潮,以享乐和情色为依托,继续解构国家认同,《色·戒》的公映及其主流反响正是这一历史线索中最新的案例。
Since the 1990s, Enlightenment has given way to the wave of globalization and consumerism. Dependence and eroticism continue to deconstruct national identity. The release of the “Cyclone” and its mainstream repercussions are the latest of these historical clues.