论文部分内容阅读
作为绘画本体的墨竹,是作者和自然之竹在实践过程中互相接触、互相作用的过程中形成的,或表现时代精神或表达个人的情感寄托,其中均带有丰富的主观色彩。在中国人意识里,竹子有着某种人格的寓意,在中国人的心目中代表一片冰清玉洁的心灵圣地,象征着谦虚、有气节、刚直不阿,是我们做人的最高目标,在绘画过程中画家是审美主体,他们的思想认识和情感阅历及精神寄托都会投射其中。郑板桥的竹子远近闻名,体现的是气节,精神和情感的寄托。每一鉴=件作品都折射着艺术美,自然美,人格美,下面论者将从郑板桥的思想认识和情感阅历及精神寄托等方面来阐述板桥作品中墨竹的人格美。
As the main body of painting, bamboo is formed by the mutual contact and interaction between the author and the bamboo of nature in the process of practice, or the expression of the spirit of the times or the expression of the individual’s emotions, all of which are rich in subjectivity. In the Chinese sense, bamboo has a certain moral personality, in the minds of Chinese people represents a pure and jolly spiritual holy land, symbolizing humility, integrity, straight, is our highest goal, a painter in the painting process is aesthetic Subjects, their ideological understanding and emotional experience and spiritual sustenance will be projected. Zheng Banqiao famous bamboo, reflects the integrity, spirit and emotional sustenance. Each Kam = works reflect the artistic beauty, natural beauty, personality beauty, the following will be from the ideological and emotional experience of Zheng Banqiao and emotional sustenance to explain the beauty of Banqiao’s works.