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相信我,任何人在黑暗中的纽约开出租车,迟早都会变得和特拉维斯一样。《出租车司机》的原编剧是保罗·施拉德。他在大学毕业后曾写过影评,不久转入剧本写作,他的第三个剧本《高手》以35万美元的高价为华纳公司购得,导演是西德尼·波拉克。施拉德用飞快地速度在十天内完成了两稿《出租车司机》的剧本投射其中的都是他内心的狂热,部分来自他本人纽约居大不易的亲身感受,以及他对枪械的偏好;部分来自萨特的第一本“存在主义”小说《恶心》;还有一部分来自他研读阿瑟·布雷默日
Believe me, anyone who drives a taxi in the darkness of New York will sooner or later become like Travis. The original screenwriter for “Taxi Driver” is Paul Schrader. He had written critics after graduating from college and soon moved into script writing. His third play, The Master, was purchased by Warner for $ 350,000, directed by Sidney Pollack. Schlader quickly completed the two draft “taxi drivers” in ten days casting his inner fanaticism, in part from his own hard-won personal experience in New York and his preference for firearms; Partly from Sartre’s first “existentialist” novel “disgusting”; and partly from his study of Arthur Bremer’s Day