乡愁无根:战后英国设计中的“阶级”与“去阶级”

• 作 者: 汪燕翎
• 机 构: 四川大学艺术学院,
• 出 处: 装饰
• 发表日期: 2014年11期
• 关键词: 战后英国设计 阶级 亚文化

两次世界大战是英国历史的分水岭,建立在明确阶级分层基础上的旧文化体系被逐渐消解,在战后消费社会形成的过程中,大众文化和各种亚文化占据了重要位置,并成为英国设计复兴的新动力。本文讨论英国战后设计脉络中依然隐含的阶级意识,并尝试解答:英国的阶级文化和艺术设计在20世纪下半叶如何转型?阶级和身份意识如何通过当代日常生活与艺术设计显影?英国的设计和时尚对社会分层、身份建构的意义是什么?

The two world wars were the watersheds of British history. The old cultural system based on a clear stratification of classes was gradually eliminated. During the formation of post-war consumer society, mass culture and various subcultures occupied an important position and became The New Impetus of British Design Renaissance. This article examines the class consciousness still implicit in post-war design in the UK and attempts to answer the question: How did British class culture and art design transform in the second half of the 20th century? How did class and identity consciousness develop through contemporary everyday life and art design? The design and fashion of social stratification, identity construction what is the significance?