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近几年来,京剧界学习流派艺术的风气十分盛行。许多青年演员,争当“×派弟子”,自称“×派传人”。有的的确想继承一些东西,但有的不过只想挂一块招徕观众的牌子。此外,一旦遇到某某流派的纪念活动,总要热闹一阵,组织流派艺术的演出活动,随之而来的是许多宣传、评介。有的评介实事求是;有的却极尽夸饰之词。诸如什么“标准传人”,“×派嫡传”“再现×派风范”之类,似乎要人相信,梅兰芳在世,程砚秋复生。然而,一
In recent years, the art scene of Peking Opera is very popular. Many young performers fight for “x sending their disciples” and claiming to be “x sending their own people.” Some really want to inherit something, but some just want to hang a sign to attract the audience. In addition, once encountering the commemorative activities of a certain genre, it is always a bustling time to organize performances of genre art, followed by many publicity and commentaries. Some comment on seeking truth from facts; some are extremely refined words. Such as what “standard descendants”, “x send 嫡 Biography” “reproduction × send style” and the like, it seems that people believe that Mei Lanfang alive, Cheng Yanqiu rebirth. However, one