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技艺革新,是一般戏曲演员都少不了的,只是多少有别罢了。演戏常要根据演员的理解和身体条件做些变动,为的是观众看得舒服,演员演得过瘾。但这其中有个非常重要的条件,就是得按照戏曲演出规律办事,而不是乱改、瞎改。 1954年,小王桂卿结束了上海天蟾舞台的《西游二猴》,刚刚到江苏巡回演出时,突闻山东烟台来人,聘请去他们那儿演。当时他那个高兴劲儿,
Art innovation, is a general opera actress are indispensable, but somewhat different. Acting often make changes based on the understanding of actors and physical conditions, in order to see the audience comfortable, acting acting fun. However, one of the most important conditions for this is that we must act in accordance with the rules of the performance of the opera, instead of chaos and blind reform. In 1954, Wang Guiqian ended the journey to Shanghai Tianchan’s “Westward Journey to the Monkey”. When he just came to Jiangsu to tour it, he was briefed on his presence in Yantai, Shandong Province. At that time, he was very happy,