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日前读一杂谈,说及三十年代中国文坛一场“滥官司”。彼时,南开的梁宗岱、北大的朱光潜、复旦的李健吾,此三人同为挚友,且在文艺批评界鼎足而立,人称“三剑客”。这三大剑客学识渊博、治学严谨自不在话下,其文风也各具韵味和特色,批评起来更是酣畅淋漓、不留情面。梁宗岱对文坛“滥用名词”之现象愤愤不平,为纠正时弊,他竟然先拿两位好友开刀,锋芒所向,直指朱光潜的《文艺心理学》和李健吾的《咀华集》。朱、李二位不服,于是,一场规模不小的笔墨官司就此展开,你来我往,很是热闹。后来,还是沈从文看
A few days ago read a gossip, talking about the Chinese literature in the thirties a “abuse of lawsuits.” At that time, Liang Zongdai from Nankai, Zhu Guangqian from Peking University, and Li Jianwu from Fudan University all became close friends and established themselves as the “Three Musketeers” in the literary critics. The three big swordsmen learned knowledgeable, rigorous scholarship cynical, the style of writing also has its own flavor and characteristics, criticism is even more hearty, merciless. Liang Zongdai was indignant over the phenomenon of “misusing nouns” in the literary world. To rectify the current situation, Liang Zongdai used two good friends to start his career and directed it at his literary psychology and Li Jianwu’s Tsuiah Collection. Zhu, Li two displeasure, so a size of the ink lawsuit started, you come to me, it is very lively. Later, Shen Congwen or look