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中国当代艺术中大体存在三类展览模式:第一是双年展、文献展之类的大型综合展览;第二类多是由职业策划人策划的画廊性展览;第三类则是由批评家策划的试图体现明确学术倾向的展览。笔者所讨论的是第三种展览模式。前两种展览模式只能形成一个暂时性的事件,但其之于艺术理论的发展却关系不大。而第三种展览则是与当代艺术的学术建构紧密地联系在一起,回顾艺术史,我们可以看到,中国艺术现象显然与一个出色的
There are three types of exhibition modes in contemporary Chinese art: the first is a large-scale comprehensive exhibition such as Biennale and Documentary Exhibition; the second is mostly gallery-based exhibitions curated by career planners; the third is by critics The curated exhibition attempting to embody clear academic tendencies. The author is discussing the third exhibition mode. The first two kinds of exhibition mode can only form a temporary event, but its development in art theory has little to do with it. The third type of exhibition is closely linked with the academic construction of contemporary art. Looking back at the history of art, we can see that the phenomenon of Chinese art is clearly associated with an outstanding