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虹雯:你好! 从《戏剧报》上看到你的来信,使我受益非浅。你在信中提出的关于京剧表演艺术方面的一些观点,我是很同意的。京剧艺术发展迄今,产生了众多的流派和许多杰出的表演艺术家,其中包括象梅兰芳先生这样的艺术大师,这是我们引以自豪的。我想京剧艺术之所以能流派纷呈、名家辈出,正是因为前辈艺术家不断创新、提高的缘故。今天我们在继承京剧流派艺术的时候,更要发扬这种创新精神。在继承流派艺术上,有两种倾向要注意避免。一种是照搬照抄,前人的东西一点也不能动,一招一式、一板一眼都要依样画葫芦,不能走了形,这才叫“真传”,这才叫是“流派”。这种划地为牢、固步自封
Hongwen: Hello! From the “Drama” to see your letter, so I benefited greatly. I agree with some of the points raised in your letter about the performance art of Beijing Opera. Peking Opera has so far produced a large number of genres and many outstanding performing artists, including those masters like Mei Lanfang, which we are proud of. I think the reason why Peking Opera genres are numerous, famous artists come forth in full force, precisely because of their predecessors artists to innovate and improve the sake. Today, when we inherit the art of Peking Opera genres, we must even carry forward this innovative spirit. In inheriting genre art, there are two tendencies to avoid. One is copying copy, the former things can not move at all, one by one, one by one must follow the example of gourd, can not take shape, this is called “True Biography”, this is called “genre.” This zoned for jail, stand still