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塞德里克·惠特曼从文学艺术的批评取向来解读荷马史诗,在以帕里、洛德为代表的古典学者的口头程式理论之外,通过分析荷马对明喻、隐喻、意象、象征和程式的独特运用,着意于荷马寓于传统之中的艺术独创性,即整一性。但对于荷马个人的艺术独创性,格雷戈里·纳吉则认为荷马史诗的书面文本源于一个演进的历史过程,在创编、演述和流布的相互作用下,通过表演,口头诗歌传统才获得完整性和统一性。正是口述过程产生了荷马史诗,而非文本作者。荷马史诗的艺术成就是非个人的,荷马是吟诵者的典范,传统的代表。
Cedric Whitman interprets Homeric poetry from the critical orientation of literature and art. In addition to the oral program theory of classical scholars represented by Parry and Lode, Cedric Whitman analyzes the features of Homer’s metaphor, metaphor, imagery, symbolism And the unique application of the program, is intended for Homer’s artistic originality, that is, integrity. But for Homer’s artistic originality, Gregory Nagy thinks that the written texts of Homeric epics originate from an evolving historical process. Through the interaction of creation, presentation and distribution, through the performance of oral poetry To get the integrity and unity. It is the oral process that produces Homer, not the author of the text. Homer’s artistic achievement is non-personal, and Homer is an example of the recite, the traditional representative.