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“这一切都来源于一个多世纪以来我们的文化和艺术所面临的开放情境。西方的‘侵入’一方面导致了本土文化言路的断裂,另一方面又使中国问题变成一个世界问题,一个开放的问题。开放动摇了中国画传统的价值基础和形态结构,但它并没有也不可能中断这个传统;开放改变了旧的准则但又导致了一些新的准则,并相应地带来了一些新的问题和解决问题的方式。”用黄专自己的这段陈述作为阐释本文的主旨最合适不过。我们可以看到,从开放的国际视野到情境还原再到具体问题,黄专显然早已做好了对中国当代艺术史进行持久而深入的探析。
All this comes from the open situation our culture and art have faced for more than a century.The “invasion” of the West led to the rupture of the local culture on the one hand, and turned China into a world issue on the other hand , An open question.Openness has shaken the traditional value foundation and the structure of Chinese painting, but it does not and can not interrupt this tradition.Openness has changed the old norms but led to some new norms and correspondingly brought some New problems and ways to solve the problem. “” It is most appropriate to use Huang’s own statement to explain the purpose of this article. We can see that from the international perspective of openness to the situational reduction and then to specific problems, Huang Zhuan obviously has done a long-term and in-depth analysis of the history of contemporary Chinese art.