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岭南书法在明代有了质的飞跃,传世的法书作品骤增,书法名家辈出,尤其是名贤陈献章及其门人在岭南书法史上占有重要地位。李公明先生说:“书道趋势,亦与绘画大致相同,由明中叶而复起称盛。其光照人间者,非翰墨而已,尤以学问诗情或忠肝义胆而令其作品更受后人珍重。”①这一时期
Lingnan calligraphy made a qualitative leap in the Ming Dynasty, and the number of calligraphy works surpassed. Calligraphers came forth in large numbers. In particular, the famous Xian Xian Chen Xianzhang and his followers occupy an important position in the calligraphy history of Lingnan. Mr. Li Gongming said: “The trend of the study of calligraphy is similar to that of painting, and it is called” Sheng “from the middle of the Ming Dynasty. Descendants treasure. ”① this period