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有关后现代主义的介绍与讨论,在上个世纪90年代的《读书》杂志上屡见不鲜,国内也出版了一系列相关的专著,内容涉及哲学、思想、心理、文化、社会以至法学等诸多学科,对中国学术界产生了重要的影响。比起着现代主义之先鞭,在后现代主义方面,美术界这一回却似乎落在了后面。就我的孤陋寡闻,江苏美术出版社在2000年推出的一套《国外后现代艺术丛书》,大概是大陆第一次较详细较全面地专门叙述国外后现代主义艺术的丛书。次年,著名诗人、学者岛子的《后现代主义艺术系谱》上下册由重庆
The introduction and discussion of postmodernism were common in Reading Magazine in the 1990s. A series of related monographs were published in China, covering many disciplines such as philosophy, ideology, psychology, culture, society and law, The Chinese academia has had a significant impact. Compared to the whiplash of modernism, in the field of post-modernism, the art world seems to have lagged behind. In my ignorance, a series of “books on foreign postmodern art” launched by Jiangsu Fine Arts Publishing House in 2000 is probably the first series in Mainland China that specifically narrates foreign postmodern art in greater detail and comprehensively. The following year, the famous poet, scholar Island “postmodern art pedigree” on the chongqing from Chongqing