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在世界艺术之林中,中国画历来一花独秀。中国画历来也是世界各国大博物馆争先收藏的藏品。中国画的民族情结深入人心,那种笔墨和审美融入骨髓,难弃难舍。但现在连“中国画”这个词都成了问题,其含义也变得有点解释不清,面临着许许多多的尴尬。概念含糊不清就难以构建逻辑框架,也阻碍了理性探讨和共识性沟通。没有准确的概念,就没有逻辑思辨,就没有对话平台。中国画坛出现的许多乱像,和这个概念不明晰不无关系。
In the world of art in the forest, Chinese painting has always been the only flower show. Chinese painting has always been the first collection of the world’s major museum collections. The national complex of Chinese painting enjoys popular support among the people. But now even the word “Chinese painting” has become a problem, and its meaning has become somewhat unclear. It is embarrassed by so many. Ambiguity in the concept is difficult to build a logical framework, but also hindered the rational exploration and consensus communication. Without an accurate concept, there is no logical speculation and no dialogue platform. Many chaos appeared in the Chinese painting altar, and this concept is not clear not unrelated.