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2002年12月,广州粤剧团参加第八届广东省艺术节的一台《花月影》,“一石激起千层浪”,在中国戏剧界尤其是广东粤剧界引起了强烈的反响。人们对这一出戏的关注直接引发了戏剧界关于粤剧继承与创新、关于都市戏曲、关于粤剧命运等一系列普遍和宏观问题的讨论,从《中国戏剧》到《南国红豆》,不少关心粤剧命运的专家学者和普通观众纷纷加入了北京和广州这两个讨论的大本营,戏剧界及粤剧界出现了难得的百家争鸣的热闹气氛。值得注意的是,对同一出戏,来自北京的专家普遍评价很高,认为它标志着粤剧的某种现代转型;来自本地的某些议论却非常谨慎,甚至说它根本就不是
In December 2002, the Guangzhou Opera Troupe took part in the “Flower Moon Shadow” of “Eighteenth Century Guangdong Festival” and “A Stone Elicits Melaleuca Wave” which aroused strong repercussions in the Chinese theater industry, especially the Cantonese Opera Circles. People’s attention to this drama directly arouses discussion of a series of general and macro issues concerning inheritance and innovation of Cantonese opera, urban opera, and the fate of Cantonese opera from the theater industry. From the “Chinese drama” to the “Red Bean of the South”, a lot of concern The fate of experts and scholars in Cantonese opera and ordinary audience have joined the two camps in Beijing and Guangzhou discussion, the theater and the opera industry there is a rare atmosphere of contestation. It is noteworthy that the same play, experts from Beijing generally high evaluation, that it marks a modern transformation of Cantonese opera; some of the arguments from the local are very cautious, and even said that it is not