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卡尔·斯塔米兹是一位多产的作曲家,创作了大量的协奏曲、室内音乐及声乐作品,他尤其偏爱协奏曲,据统计他写了至少60首协奏曲。他的《单簧管第三协奏曲》将单簧管的声音与特色展现得淋漓尽致,奠定了单簧管在管乐队中的地位,也将单簧管领入世界性的舞台。本文从斯塔米兹《单簧管第三协奏曲》第一乐章入手,对该作品的曲式结构和旋律特征进行研究,进而剖析单簧管的演奏技法,为后人更好地学习单簧管提供帮助。
Carl Stamiz, a prolific composer who has produced a large number of concerto, chamber music and vocal works, has a particular preference for concertos, and at least 60 concerts have been written. His “Clarinet Third Concerto” will be the best clarinet voice and features demonstrated, laid the clarinet in the band’s position, but also the clarinet into the world stage. Starting with the first movement of Clarinet’s Third Concerto by Stamiz, this paper studies the music structure and melody features of the composition, and then analyzes the playing technique of clarinet to help future generations learn the clarinet better.