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先秦乐论产生于一独特时代,是当时诸种救世方案中的重要组成部分。先秦乐论根源于先秦时代的社会现实,但是结论却各有特点。先王之乐及诸子们的乐论观点是经过了“记忆/遗忘”这一思维机制影响之后的结果。先秦乐论在后世的沉浮既表明没有经历过那个乱世的人们很容易“误读”这些曾经鲜活的言说,也表明“记忆/遗忘”潜移默化地影响着先秦乐论的传承。
The pre-Qin music theory came into being in a unique era, which was an important part of various salvation programs at the time. The music theory of the pre-Qin period was rooted in the social reality of the pre-Qin era, but the conclusions were different. The music of kings and the musicians’ views are the result of the influence of the thinking mechanism of “memory / forgetting”. The ups and downs of the pre-Qin music theory in later generations both show that people who did not experience the troubled times can easily “misread” these once vivid remarks, and also show that “memory / forgetting” subtly influenced the inheritance of pre-Qin music theory.