论文部分内容阅读
Yukio Mishima.(1925-1970)原名平冈公威,出生于日本东京的一个没落贵族家庭。贵族出身的祖母时常带他观赏能乐和歌舞伎,培养了他的贵族情结和对日本传统艺术的鉴赏力,但她的过度保护与约束也使三岛体质柔弱,性情孤独。三岛于1938年发表了第一个短篇小说《酸模》,1946经川端康成推荐发表小说《烟草》登上文坛。同年大学毕业至大藏省银行局供职,不久便辞职专心创作。三岛编写过《彩虹》(1948)、《火宅》(1948)与《灯台》(1949)、《魔神礼拜》(1950)等戏曲剧本,这些作品中的常见主题是:美与恶,青春与衰朽,诚实与伪善,希望与幻灭,均衡与混乱等等,暴露出他心中无法消解的矛盾。
Yukio Mishima (1925-1970) Formerly Hirakata Meiji, was born in Tokyo, Japan, a declining aristocratic family. Aristocratic grandmother often took him to watch entertainments and kabuki, cultivating his aristocratic complex and appreciation of Japanese traditional arts, but her overprotection and restraint also made Mishima physique weak and lonely. Mishima in 1938 published the first short story, “acid model”, 1946 by Kawabata Yasunari recommended publication of the novel “Tobacco” boarded the literary world. In the same year, he graduated from university and worked in the bank of the Ministry of Finance of the Republic of China, and soon resigned to concentrate on his writing. Mishima has written dramas such as Rainbow (1948), Fire House (1948) and Lampstand (1949) and Demon Sunday (1950). The common themes in these works are: Beauty and Evil, Youth and Youth Decay, honesty and hypocrisy, hope and disillusionment, balance and chaos, etc., reveal his heart can not resolve the contradictions.