论文部分内容阅读
壁画作为一种古老的艺术表现形式,其发展的历史轨迹伴随着人类自身对空间观念的不断变革。不管是在科学理性思维占据上风的西方,还是在更关注情理结合的东方,壁画以其表现方式的独特性推进着人类的生存空间形态。本文以出现在大致相同时代的永乐宫《朝元图》壁画与西斯廷教堂《创世纪》壁画作比,来探索基于不同文化基础和审美意境之上的两者所代表的中西壁画造型艺术。
As a kind of ancient artistic expression, mural painting is accompanied by the continuous change of human’s concept of space. Whether in the west with scientific rational thinking prevailing or in the east with more attention to rational combination, murals promote the form of living space of human beings with the uniqueness of their performance style. This article compares the mural paintings of “Chayuan” and the “Sistine Chapel” of the Sistine Chapel in the similar era to explore the Chinese and Western murals represented by the two based on different cultural bases and aesthetic conceptions.