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“中和”是中国特有的传统美学范畴和审美形态,它涉及到各个艺术领域。《礼记·中庸》说:“喜怒哀乐之未发谓之中,法尔皆中节谓之和。中也者,天下之大本也,和也者,天下之达道也。”书法理所当然地吸收了“中和”的思想,并发展成为最重要的创作原则。它要求书法家在创作时要“志气和平,不激不厉”。唐代书法家孙过庭在《书谱》中说:“数画并布,各异其形,众点齐列,为体互乖。一点成一字之规,一字乃终篇之准。违而不犯,和而不同;留不常迟,遣不恒
”Neutralization “ is a category and aesthetic form unique to China that is unique to traditional aesthetics. It involves various fields of art. ”Book of Righteous Mean“ said: ”Emotions of the unfinished, Faer Jie are in the middle of the festival that is also in the world, the world is also, and also, the world of Tao.“ Calligraphy naturally absorbed the idea of ”neutralization“ and developed into the most important principle of creation. It requires the calligrapher to ”be ambitious, unrelenting,“ in his writing. Tang Dynasty calligrapher Sun Chaotian in the ”book“ said: ”The number of painting and cloth, different shape, the public Qi Qi, good for one another. Violation does not make, and is different; stay late, send unsure