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东视的纪录片创作,在两年多前的93年底才开始学步,起点很低。在这之前几乎没有一个人正式进行过纪录片创作。大多数编导是从各类专题片拍摄转入这个领域的;将近一半的人当时刚转为专业电视工作者。不知是勇敢还是愚蠢,东视的纪录片创作在还没有学会走路时,就有意绕开成功的大道,专找没有路标的小道跌跌爬爬地行走。当时正值上视的纪录片创作呈现高潮,《毛毛告状》等佳片层出不穷,比较聪明的办法是跟着走。但我们没听忠告,于是就少了与奖牌、鲜花结缘的机会,多了挨骂的份儿。对于初创时期的这段历史,我们确实不知该怎样去评价。要说勇敢吧,它使我们整整化了两年多时间,仅出了一、二部好片子(当然,成绩平平还有其他
Tung Shing’s documentary creation started only at the end of 1993 more than two years ago with a very low starting point. Before that, almost no one formally conducted documentary writing. Most of the choreographers moved from various feature films to this area; nearly half of them were just turned into professional television workers. I do not know is brave or stupid, Toshishita documentary creation has not learned to walk, they deliberately bypass the road to success, specifically looking for no sign of the road fall and climb to walk. At that time, the documentary filming was on the upsurge. The endless stream of witches and tricks and other clever films followed suit. But we did not listen to advice, so less chance of getting married with medals, flowers, more scolded children. We really do not know how to comment on this history of the start-up period. Be brave, it made us more than two years to complete, only one or two good films (of course, mediocre and other