传统与21世纪三题

• 作 者: 徐建融
• 机 构: 上海大学美术学院
• 出 处: 南京艺术学院学报(美术&设计版)
• 发表日期: 2000年01期
• 关键词: 写意画 诗画一律 笔法 取法乎上 画史 郭熙 书画同源 墨法 中国画家 不求形似

一、做好自己的事情 传统与西化之争，是２０世纪中 国画坛的一个中心命题，从世纪伊始 至世纪维末，论争之激烈，参与的人 数之众，影响的范围之广泛，远远超 过其他任河命题。在“冷战”的形势 下，双方呈水火不容之势，不是东风 压倒西风，就是西风压倒东风。传统 派指责西

First, to do their own thing The dispute between tradition and westernization is a central proposition of the 20th century Chinese painting society. From the beginning of the century to the end of the 20th century, the number of people participating in the debate is so intense that it far exceeds Any other river proposition. Under the “Cold War” situation, both parties were overwhelmed by water and land, either by the east wind over the westerly wind or by the westerly wind over the east wind. The traditional school accused West