论文部分内容阅读
《在延安文艺座谈会上的讲话》这一马克思列宁主义文艺思想的重要文献,曾经正确地回答了无产阶级文学艺术的许多问题。由于当时的历史情况,《讲话》对于我国戏曲问题,没有直接系统的论述。但是,关于过去时代的文艺遗产、文艺传统和文艺形式,毛主席在《讲话》中,以及在《新民主主义论》、给《逼上梁山》作者的信中,观点却是明确的、深刻的。联系我们今天戏曲工作的实际,重温毛主席关于戏曲艺术和戏曲工作的思想,我深深感到,我们还需要更进一步地学习,还需要作很多的工作。
The important document “The Speech at the Yan’an Forum on Literature and Art”, a Marxist-Leninist literature and thought, has correctly answered many questions about the literature and art of the proletariat. Due to the historical situation at the time, there was no direct and systematic exposition of “speech” on the issue of Chinese opera. However, with regard to the literary and artistic heritage, literary and art traditions and the literary and art forms of the past times, Chairman Mao’s views in the “speech” and in the “New Democracy” and the letter to the author who “forced Shang Liangshan” are clear and profound. In connection with the reality of today’s opera work and reviewing Chairman Mao’s thinking on opera art and opera work, I deeply feel that we still need to learn more and a great deal of work needs to be done.