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1934年,京剧表演艺术家盖叫天正好47岁。可在他的演剧生活中发生了一件极其意外的事,这件突发的事故使他饱受了痛苦的折磨,他在痛苦中熬炼,他在折磨中思索。盖叫天虽然成了名,但是日子并不好过。他在艺术上不愿随波逐流,在生活上不肯趋炎附势;业务上要保持自己的独立价值。有这三条,在旧社会的上海滩,他受到剧场老板们的排斥。从1923年到1933年,他只能到江浙小码头作短期流动演出,他在困难的境遇中度过了十年光景。在困守了十年以后的1934年5月,他终于得到了在上海演出的一次机会。在演出《武松》时,其中《狮子楼》一折,剧场老板为了争取观众,自作主张在舞台上搭了一座狮子楼。盖叫天事先并不知道。当戏开场,要更换已经来不及
In 1934, the Beijing opera performing artist called Tianzizhi just 47 years old. One of the most unexpected things that happened to his dramatic life was his painful torture, his painful refreshes and his torture. Although the name of the cover has become a name, but the days are not easy. He is reluctant to follow the crowd in art, and refuses to be agitated in his life; his business needs to maintain its own independent value. There are these three, in the old society on the beach, he was excluded from the theater bosses. From 1923 to 1933, he had only been able to go to short-term floating performances at the small wharves in Jiangsu and Zhejiang. He spent ten years in a difficult situation. After ten years in prison in May 1934, he finally got an opportunity to perform in Shanghai. During the performance of “Wu Song,” one of the “Lion House,” a discount, the theater owner in order to fight for the audience, made a claim on stage to build a lion building. Cover does not know beforehand. Dope opening, to replace it too late