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日本现存最早的和歌总集《万叶集》不仅是研究日本古代文学与政治历史的资料宝库,也是一部包含着诸多国际化元素的文学作品,是古代东亚文学遗产的瑰宝。因此,万叶研究不仅应从日本本民族的立场出发,而且基于异民族视角的考察也是解明奈良时代诸多问题的有效手段。本文拟在考证《万叶集》中大陆移民氏族歌人的基础上,结合日本古代史学研究,尤其是大陆移民氏族研究的成果,分析其为了挽回氏族命运而利用和歌以及作歌环境等条件进行文学性政治斗争的过程,尝试论述大陆移民氏族歌人作歌的历史环境与文学特色的关系。
Japan’s earliest existing collection of songs, “Mubaraki”, is not only a repository of information on ancient Japanese literature and political history, but also a literary work that contains many international elements and is a treasure of ancient East Asian literary heritage. Therefore, the study of Wan Ye should not only proceed from the standpoint of Japan’s own nation, but also the investigation based on different nationalities is also an effective way to explain many issues in the Nara period. Based on the research of the mainland migrants’ clan songwriters in “Wan Ye Ji”, combining with the research of ancient Japanese historiography, especially the research on the mainland immigrant clans, this article attempts to analyze the literature about the use of hymn and song-making environment in order to restore the fate of the clan The process of sexual politics, attempts to discuss the relationship between the historical environment and the literary characteristics of mainland migrant clan songwriters.