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从1910年马赛尔·杜尚将一个现成的男用小便池签上大名便送入蓬皮杜艺术中心之后,这件具有划时代意义的艺术品便使得由现成品演变而来的装置艺术开始从不可理解、不被关注的边缘艺术样式,逐渐进入了当今艺术界的主流领域。而在装置艺术在国外纵横拍场,并大步流星地超越传统的架上艺术从国外走进国门时,我们却骤然发现,原来早在上世纪80年代中期,中国的部分前卫艺术家早已将这股热潮引领进来,虽然几经波折却始终没有断绝。
From the time Marcel Duchamp signed a ready-made male urinal to the Pompidou Center in 1910, this epoch-making work of art has enabled the art of installation evolving from ready-made products to begin with Incomparable, unobtrusive marginal art styles have gradually entered the mainstream of the contemporary art world. In the art of installation and equipment in the vertical and horizontal overseas auction, and strode beyond the traditional art of standing on board from abroad into the country, but we suddenly found that as early as the mid-80s of last century, some of China’s avant-garde artists have this boom Lead in, though after many ups and downs has never been cut off.