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又一个本命年慢慢爬走的时候,突然觉得有点老了。独自生活在一个钢筋水泥搭起的城市里,心像颗干涸的桃核,越缩越小,坚硬而拒绝被感动。那些风花雪月所谓的爱情,像童话中的奇迹一样遥远虚幻,《泰坦尼克》这样的电影恐怕只能留给我的小侄女看了。突然想起侯麦来,把手头他所有的影片都翻出来看了个遍,又一次唏嘘不已。那个花白头发胡子的绅士老头,长有一双洞察一切世间情爱的眼睛,那些或热烈、或纠缠、或犹豫、或冷漠的情感,在他影片里都可以用最简约的方式讲述得辗转反侧,看似散淡又滴水不漏,这个年纪,是该说说这个可爱的小老头了。埃里克·侯麦(Eric Rohmer),当属上个世纪中叶法国新浪潮中的大器晚成者。1959
Another natal year crawling away slowly, suddenly felt a bit old. Living alone in a reinforced concrete city, heart like dry peach kernel, the smaller the smaller, hard and refused to be touched. The so-called romantic love, like a fairy tale miracle as far away as illusory, “Titanic” such a movie may only be left to my niece to see. Suddenly remembered Houmai, put all his videos are turned over to see it over and over, once again marvel. The old gentleman with a beard and hair must have a pair of eyes that have an insight into all the world's love. Those who are enthusiastic, entangled, hesitant, or indifferent can be described in the most concise manner in his films as tossing and turning around. Dusky and drip, this age, it is time to talk about this cute little man. Eric Rohmer, a late bloomer in the new wave of France in the middle of the last century. 1959