论文部分内容阅读
中外的作品中,“鬼”始终是一个经典的母题,而且这一母题不再以单一的形式出现,而是日渐趋于多元化。冯塔纳的《艾菲·布里斯特》和张爱玲的《金锁记》正是很好的范例。两部小说灵活的运用“鬼”的元素,从抽象到具体,从显性到隐性,从外部到心理,从实物到隐喻,多角度生动地刻画了两位女主人公——艾菲和曹七巧的婚姻悲剧。
Chinese and foreign works, “Ghost ” has always been a classic motif, and the motif no longer appears in a single form, but increasingly more diverse. Fontane’s Effie Bristol and Eileen Chang’s Golden Lock are good examples. From the abstract to the concrete, from the dominant to the implicit, from the outside to the psychology, from the real thing to the metaphor, the two novels vividly depict the two heroines, Effie And Cao Qiqiao marriage tragedy.