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继《雷雨》和《大明宫词》之后,电影导演李少红的第三部电视剧《橘子红了》再次引起轰动。有人说,李少红是唯美的;有人说,她的作品是飞扬的、是诗意的;有人说,她善于讲故事,讲一个个属于她自己的故事。她以女性的视角介入影视艺术,应该说是既有难度又有优势的。这种敏感的柔韧的女性视角,可以帮助她把对女性命运的关注不自觉地融入到作品之中,也于是就有了她的作品中女性角色常常比男性角色更有光彩的原因。
Following the “Thunderstorm” and “Daming Gong Ci”, the movie director Li Shaohong’s third drama “Orange Red” once again caused a sensation. Some people say that Li Shaohong is beautiful; some say her works are flying and poetic; some say she is good at telling stories and telling her stories one by one. She is involved in the art of film and television from the perspective of women. It should be said that she has both difficulty and advantage. This sensitive and flexible female perspective can help her to unconsciously incorporate the concerns about the fate of women into her works, and consequently, her works often have more female characters than male characters.