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观察是我们对外部世界的思考,回归是我们向传统学习的过程。对于从事艺术创作的个体来说,只有不断观察自然、不断回归传统才能有所创新。当我们面对西方绘画的严谨和东方绘画的飘逸时,之所以能够一眼看出它们源自哪种文化背景,就在于其具有的独特艺术图形样式,这种图形样式与它们的文化背景、审美经验、地域习俗密不可分。一方水土养一方人,一方水土同样养育了一方的艺术。
Observation is our thinking of the outside world. Regression is the process we learn from tradition. For individuals involved in artistic creation, only by constantly observing nature and continuing to return to the tradition can we make innovations. When we are faced with the rigor of Western painting and the graceful flow of oriental paintings, we can see at a glance which cultural background they originate from lies in their distinctive artistic graphic style, which is related to their cultural background, aesthetic Experience, regional customs are inseparable. One side of water and soil raise one side, one side of soil and water also raised one side of art.