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敏泽在《“纯审美论”辨析》(《文艺理论与批评》1989年6期)一文中指出:“纯审美论”的根本失误,在于把艺术的审美价值与艺术的其它社会价值这一对立统一的关系,给人为地割裂和对立起来了。不承认艺术在审美的价值之外,同时还存在着其它社会价值。事实上,在艺术的审美判断之外,同时还存在着依附于审美判断的其它判断,或者更确切地说,在艺术的审美价值判断中,同时也就渗透、包含着其它的各种价
In his article “Discrimination of Pure Aesthetic Theory” (“Theory and Criticism of Literature and Art”, 1989, No. 6), Minze pointed out that the fundamental mistake of “pure aesthetic theory” lies in the fact that the aesthetic value of art and the other social values of art The relationship between opposites and unity is artificially divided and antagonistic. Art does not recognize the aesthetic value, but also there are other social values. In fact, besides the aesthetic judgments of the arts, there are other judgments attached to the aesthetic judgments or, more precisely, the aesthetic judgments of the art, at the same time it infiltrates and contains other various kinds of prices