论文部分内容阅读
写在专栏之前:每一种文化部有它特殊的情结,甚至每一个领域的每一时段都有那么一个“结”如果说,20世纪中国美术的“结”在“中西”问题上;那么在西方现代美术中,这个“结”恐怕就在“具象=抽象”上,具体地说,在抽象上,在从具象到抽象的转变上抽象主义在20世纪第二个10年的出现,被广泛地认为意味着整个自文艺复兴以来的艺术规则的打破和全新的艺术规则的诞生。因而这件事情非常大,大得成为一个难以拆解的时代之“结”:这件事情非常根本,根本得就像河床的变道,此后流变的风格都如同这个河床里的水流浪花一样,要
Written before the column: Each Ministry of Culture has its special complex, and even every time in every field has a “knot.” If we say that in the 20th century Chinese art Then in the western modern art, this “knot ” may be on “figurative = abstract ”, specifically, abstraction, abstractionism on the transition from figurative to abstract at 20 The advent of the second decade of the century is widely perceived to mean the breaking of the entire art rules since the Renaissance and the birth of new art rules. So this matter is very big and big enough to become an era that is difficult to be dismantled. “Knot”: This matter is very fundamental and basically resembles the change of the river bed. Since then the style of change has been like that of the river bed Spray like, want