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本文以美国后现代小说家约翰·巴斯1968年发表的小说《迷宫》为例,以文学创作与文学传统的关系为题,剖析后现代小说叙述危机的根源,指出后设性叙述根源于作家对小说叙述形式和语言自身局限的认识。通过分析巴斯本人的小说理论与创作实践,指出在经历了后现代主义对创作和欣赏过程的肢解、离析、组装、重建之后,小说要维护话语的权威性,实现文学的终级关怀,向文学体验的回归是走出后现代主义误区的必由之路。
Taking the novel “Labyrinth” published by John Bass in 1968 as an example, this paper takes the relationship between literary creation and literary tradition as an example to analyze the root causes of the postmodern novel narrative crisis and point out that the posthumous narrative rooted in the writer Cognition of Narrative Forms and Limitations of Language. By analyzing Bas’s own novel theory and practice, he points out that after experiencing the dismemberment, separation, assembly and reconstruction of the process of creation and appreciation of postmodernism, the novel maintains the authority of discourse and realizes the ultimate care of literature. The return of literary experience is the only way out of the misunderstanding of postmodernism.