论键钮手风琴右手指法设计的特殊性——以安吉列斯《音乐会组曲》为例

• 作 者: 金文娜
• 机 构: 广州工商学院,
• 出 处: 通俗歌曲
• 发表日期: 2017年05期
• 关键词: 手风琴演奏 右手指 键钮手风琴 以安 吉列 设计过程 安吉 音乐作品 三十二分音符 触键

键钮式手风琴由于其右手排列方式的特殊性,其演奏指法的设计也是具有着多变的选择性和灵活性,本文根据笔者对键钮手风琴多年的学习、演奏以及社会性的业余教学的经历和经验,以演奏安吉列斯《音乐会组曲》为例,从键钮手风琴右手音位的特殊排列及键钮手风琴右手指法设计的特殊需要两个层面进行了分析,同时结合一些实际谱例进行指法设计的比较和归纳,旨在为键钮手风琴右手的指法设计提供一些有益的帮助。

Because of the particularity of the right hand arrangement, the design of the fingering design of the button accordion is also flexible and changeable. According to the author’s years of learning and playing the button accordion and the experience of the social amateur teaching And experience in the performance of Anjlisse “Concert Suite” as an example, from the special arrangement of the keys accordion right hand phoneme and the button accordion right finger design two aspects of the special needs analysis, combined with some actual spectrum The comparison and induction of fingering designs are designed to provide some helpful help for the fingering design of the button accordion right hand.