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当前,我国书法领域呈现出一派生机,书法已经成为大众文化生活不可或缺的一部分。从书写水平来看,当今的篆、隶、楷、行、草五种书体都取得了可喜的进步。然而,我们也应该清楚地看到,在书法繁荣的同时也衍生出许多问题,尤其是书法审美方面,标准比较混乱、模糊。部分书家有过度追求作品形式美的倾向,而在一定程度上忽略了书法的内在美、中和美、自然美。
At present, the field of calligraphy in our country has shown its vitality. Calligraphy has become an indispensable part of popular culture. From the writing point of view, today’s Zhuan, Li, Kai, line, grass five books have made gratifying progress. However, we should also clearly see that there are many problems arising from the prosperity of calligraphy. In particular, the standard of calligraphy is rather confusing and ambiguous. Some book writers have the tendency to over-pursue the formal beauty of their works, but to a certain extent, they neglect the intrinsic beauty, neutral beauty and natural beauty of calligraphy.