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台湾的京剧现状如何?这是祖国大陆的广大观众和京剧工作者很关心的问题。台湾京剧界不仅有我们熟知的演员,其中不少还是我们京剧工作者的同学或亲朋挚友。一别三十余载,思念之情时时萦绕在我们心头。1949年解放以前,大陆一些京剧团去台湾演出,其中,顾正秋剧团、戴绮霞剧团、梅派票友王振祖(已故)为首的“中国”京剧团以后就一直留在台湾。这些剧团的演员后来成为在台湾发展京剧艺术的骨干力量。五十年代起,台湾先后成立起大鹏、复兴、陆光、海光等四所剧校,培养了一批青年演员。现在台湾的专业京剧团有大鹏、陆光、海光、明驼等四个剧团和复兴剧校实验京剧团。目前,台湾的京剧演出,按他们自己的说法,可分为三种类型:第一类沿袭旧制,采用传统的老本子,
What is the status quo of Taiwan’s Peking Opera? This is a matter that is of great concern to the vast number of viewers and Peking opera workers in the mainland. There is not only a well-known actor in Taiwan’s Peking opera scene, many of whom are still classmates or close friends of our Beijing opera workers. A dozen dozen, miss the feelings linger in our hearts from time to time. Before the liberation in 1949, some Beijing opera troupes performed in Taiwan. Among them, the “Chinese” Peking Opera Troupe led by Gu Zhengqiu, Dai Qixia and Mei Zhen’s farewell party Wang Zhenzu remained in Taiwan. The actors in these troupes later became the backbone of the development of Peking Opera in Taiwan. Since the 1950s, Taiwan has set up four drama schools: Dapeng, Fuxing, Lu Guang and Haiguang, and has trained a group of young performers. Now Taiwan’s professional Beijing Opera Troupe includes Dapeng, Lu Guang, Haiguang, Ming Hu and other four theatrical troupes and the Renaissance School experimental Peking Opera Troupe. At present, Taiwan’s Peking Opera performances, according to their own statements, can be divided into three types: the first type followed the old system and the traditional old version,