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唐代盛行青绿山水之风,精致臻丽的画风受到推崇,其中李思训和李昭道的画作尤为引人注目。文章采用直接切入作品本身的方式,运用沃尔夫林的艺术风格学相关理论,从画面构图、用色、笔法三个方面研究唐代青绿山水画的形式风格,探析其全景式封闭构图、青绿设色、笔法富于变化的艺术特色。:
The prevailing style of the Qing Dynasty landscapes in the Tang Dynasty, exquisite style of Pei Lai respected, of which Li Si and Li Zhao Road paintings are particularly striking. The article uses the way of directly cutting into the work itself and uses Wolflin’s theory of art style to study the formal style of the Qing Dynasty green landscape painting from the aspects of composition, color and brushwork, Color, style of change is full of artistic features. :