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宋念祖先生的《唐寅笔意》(如附图)为曲立式黑松盆景,一个大回折中隐藏着两个小的曲折。下部根蔸出土后经过粗壮的一节,便右斜折向上。至过半后,又一强力左折而上,接着又以书法顿笔般的一小回折,继续左上收顶。几折顿挫有力,干净利落,充分显示了松树的刚毅与力度。作者在创作中,出枝大胆,一反常规倡导的从主干下部全树三分之一处出枝的要求,而是从主干向上过半后右出一托,接着树左上曲出,左右出枝,并以四向分枝结顶。桩景结构简洁,层次分明。层与层之间搭配较和谐,出枝角度恰当,整个树冠浑然一体,显示了师法自然的高超手法,非胸有山林者不能为。
Mr. Song Nianzu’s “Tang Yin Pen” (as the photo) is a song-style black pine bonsai, hidden in a big return two small twists and turns. After the lower root 蔸 unearthed after a stout section, then right oblique fold up. To more than half, another strong left on the fold, and then calligraphy Pen like a small fold, continue to the top left top. Folds frustrated strong, neat, fully demonstrated the strength and strength of pine. The author in the creation of a bold, an anti-conventional advocacy from the lower part of the trunk of the whole tree a branch out of the request, but from the trunk up half a right out of a trust, then the tree from the left song, , With four branches to the top. Pile structure is simple, structured. Layers and layers with a more harmonious, a proper angle of the branches, the whole seamless tree, showing the master of natural method of superb, non-chest mountain can not be.