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李文采,字闻粲,号稠峯,1941年生于浙江缙云。1963年就读于浙江美术学院国画系书法篆刻科,为我国现代书法教学的首届两位本科生之一。作为首批书法篆刻科班毕业的本科生之一,李文采在我的印象中,是一位浸淫硬笔书法时间较长的老前辈,他的作品基本以草书示人。最早让我对他留下深刻印象的,是在一本硬笔书法《唐诗三百首钢笔字帖》,本书汇集了骆恒光、王正良、任平、李文采等名家硬笔书法。此书既是一本学习唐诗的工具书,又有较高的欣赏与临习价值,是当时畅销的硬笔书籍之一。在这本书里,我对李文采先生的硬笔书法风格与笔法取向有了一个较为全面的了解。后来,在《中国钢
Lee Wen-mining, the word Wen Feng, No. thick peak, was born in Zhejiang Jinyun in 1941. In 1963 he studied at the calligraphy and seal cutting department of the Department of Chinese Painting of Zhejiang Academy of Fine Arts, and was one of the first two undergraduates in modern Chinese calligraphy teaching. As one of the undergraduates who graduated from the first batch of calligraphy and seal engraving classes, Li Wenzai, in my mind, was a veteran with a long history of hard-pen calligraphy. His works are based on cursive books. The earliest let me impressed him, is a hard pen calligraphy “Three hundred pen Tang poetry copybook”, the book brings together the Luo Hengguang, Wang Zhengliang, Ren Ping, Li Wencai and other famous hard calligraphy. This book is both a reference book to learn Tang poetry, but also a higher appreciation and clinical value, was one of the best-selling hard-pen books. In this book, I have a more comprehensive understanding of Mr. Li Wencai’s hard brush calligraphy style and style of writing. Later, in "China Steel