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一张画不可能承载太多的观念,其形式与风格也只能说是运用的体裁所能包容的题材内涵的特定审美指向。但是从创作的整个过程来看,《风月无边》的确经过了一些思考,也体现了自己一个时期的审美追求。这些追求离不开对传统文化的认识,也包含着对当下文化环境中当代中国工笔画艺术探索的一些
A painting can not carry too much idea, and its form and style can only be described as the specific aesthetic point of connotation that can be contained by the genre used. However, from the creation of the whole process of view, “boundless” indeed after some reflection, but also reflects one’s own aesthetic pursuit of a period. These pursuit can not be separated from the traditional culture, but also contains some exploration of the contemporary Chinese art of stroke in the current cultural environment