论文部分内容阅读
对音乐的宏观控制与微观追求有着根本区别:宏观控制在前而微观追求在后;前者解决入门问题而后者解决造诣问题;前者侧重于技术规范而后者侧重于艺术意蕴;前者遵循数理规律而后者是对数理规律的有分寸的偏离,前者着意于共性而后者着意于个性。音乐表演要求发音准确;音若不准就不合规范,也就谈不到艺术效果。因而对音准的宏观控制是“在不准中求准”。但真正准确得纹丝不差的声音却如同一潭没有涟漪的死水,往往是缺乏生机和表现力的。故歌手们常使嗓音自然颧动约每秒七次,戏
There is a fundamental difference between the macroscopic control of music and the pursuit of microcosmic: macroscopic control is in front of the microcosmic pursuit; the former solves the entry-level problem and the latter solves the problem of attainment; the former focuses on the technical norms while the latter focuses on the artistic connotation; the former follows the laws of mathematical laws and the latter Is a nuanced deviation from the law of numbers, the former is intended to be common while the latter is intended to be individual. Musical performance requires accurate pronunciation; if the sound is not accurate, it will not talk about artistic effect. Thus the pitch of the macro-control is “not allowed in the quasi.” But the true accuracy of the tattooed sound is like a pool of stagnant water, often lack of vitality and expressiveness. Therefore, the singers often make the voice natural zygotic movement about seven times a second, the show