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在《诗学》中,亚里士多德用了大量的笔墨从各种角度和不同层面对“悲剧”展开了论述。本文旨在对作者的主要观点做一个简要的梳理,并结合美学史上的若干小问题做一简要的议论或引申。何为悲剧?亚里士多德在《诗学》中做出了这样的一个定义:悲剧是对一个严肃,完整,有一定长度的行为的摹仿,它的媒介是经过“装饰”的语言,以不同的形式分别被用于剧的不同部分,它的摹仿方式是借助人物的行动,而不是叙述,通过引发怜悯和恐惧使这些情感得到疏泄。[1]
In “Poetics,” Aristotle used a great amount of writing and writing to discuss “tragedy” from various angles and different levels. This article aims to make a brief review of the author’s main point of view and make a brief discussion or extension with some minor questions in the history of aesthetics. What is tragedy? Aristotle made such a definition in “Poetics”: Tragedy is a imitation of a serious, complete and certain length of behavior. Its medium is “decorated” Language, which is used in different forms separately for different parts of the play, is imitated by the action of characters rather than by narration, arousing them by inducing compassion and fear. [1]